six nine five (695) (hindi) Review
**Struggling Narration and Repetition:**
The film "Six Nine Five" commences with a disclaimer, acknowledging its inspiration from true events while underscoring its fictionalized nature due to creative liberties. Despite these liberties, the movie encounters difficulty in captivating the audience, extending over two hours and lacking narrative momentum. It explores the challenges faced by Hindus post the construction of a mosque over Lord Ram's birthplace but falls into repetitiveness, lacking variety or depth to sustain viewer engagement.
**Historical Setting and Evolution of Struggle:**
Set in 1858, the film opens with Sikhs claiming the Babri Mosque as Lord Ram's birthplace. Temporarily subdued by British intervention, the narrative transitions to the post-independence era. Figures like Guruji and Raghunandan emerge in the struggle, evolving over time. The film delves into the involvement of influential figures from VHP and BJP, culminating in the 2019 Supreme Court verdict allowing the construction of a Ram Temple.
**Cinematic Shortcomings:**
From a cinematic perspective, "Six Nine Five" falls short with a subpar screenplay, average direction, and continuity errors. The film misses opportunities to enhance its viewing experience, neglecting to explore the various facets of a significant struggle. Despite the potential in its plot, the film fails to capitalize on engaging storytelling.
**Performances and Culprit:**
Arun Govil and Ashok Samarth deliver commendable performances as Guruji and Raghunandan, respectively. Brief but impactful appearances by Manoj Joshi and Mukesh Tiwari add value. However, the film's real culprit lies in its screenplay and direction, helmed by two directors. In a case reshaping the political landscape, the hope for a well-researched treatment remains unmet, making this production fall short of expectations.
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